We’re Romanticizing Baskets Now: Thoughts on Alexander Skarsgård’s Wicker Husband
By Sari Moon
Here’s the plot. A famous actress hires a basketmaker to weave her the perfect husband, and the man he makes out of wicker turns out to be everyone’s fantasy. Alexander Skarsgard is the wicker husband.

Skarsgard plays a man woven entirely out of wicker in Black Bear’s Wicker, based on Ursula Wills-Jones’s short story The Wicker Husband. Olivia Colman is the fisherwoman who commissions him from the local basketmaker, played by Peter Dinklage, and the quiet village descends into jealousy and chaos once it realizes he’s the man of any woman’s dreams.

The film premiered at Sundance earlier this year, but the public only got its first look last week, and Fandango’s trailer post has already passed 11 million views on TikTok. Women flooded the comments in a mix of confusion and enthusiasm, from “Hell yeah! 50 shades of Pinocchio! Worth the splinters” to a running debate over whether wicker splinters if it’s treated properly.
The husband is barely CGI. Wētā Workshop, the New Zealand shop behind the effects on The Lord of the Rings, Avatar and Dune, built Skarsgard a 3D-printed shell molded to his body with real wicker woven over the outer layer, and digital effects were only used to make the gaps between the weave look hollow like a real basket.

“Most male actors dream of playing Hamlet at some point in their career. I never did,” Skarsgard told Entertainment Weekly. “My dream was always to have nipples made out of wicker. Thanks to our wonderful directors, Eleanor and Alex, and the brilliant artists at Wētā in New Zealand, my dream has finally come true.”

Skarsgard has made a habit of the strange: a kinky biker in the BDSM movie Pillion, a silent Amish bartender in the sci-fi thriller Mute. As one commenter put it, “I have a feeling that Alexander Skarsgård only accepts the role if it requires him to do weird shit.”

Wicker also stars Elizabeth Debicki, Ella Bruccoleri and Richard E. Grant, and was directed by Alex Huston Fischer and Eleanor Wilson. It opens in select theaters October 23 and wide on October 30.
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