Molly Oswaks

In the virtual and hardcopy seas of so much slush, Good Writing is a rare and rarefied feat commensurate with Good Conversation or Good Sportsmanship or Good Sex. It is, to say the least, all any of us can ask for.

But, in a world that craves and covets pretty babies like Miley, is it indeed so very wrong for little girls in the limelight to exploit their big-girl sex-appeal for pay? Is it fair for their kiddie-careers to be so picked-on and politicized?

The show is carried by the actress Toni Collette, who plays “Tara,” a Kansas City mother and wife with a serious case of Dissociative Identity Disorder. That said, she is also “T,” a sex-minded teenage troublemaker; “Buck,” a lecherous Vietnam-vet; “Alice,” a prim and proper model of Stepfordesque matriarchy; “Gimme,” an Id-indulgent wild-thing; “Shoshana Schoenbaum,” a stuck-in-the-Seventies self-analyzing psychoanalyst; and “Chicken,” a reverie to the five-year-old Tara of yore.